The New Commerce Cottages are More Inclusive Successors to the Artist Shanties

There has been public commentary about the launch of the Commerce Cottages, and while we value the passion behind these perspectives, we feel it’s important to clarify a few things. The Commerce Cottages are a completely new initiative—built from the ground up by the Greater Newburyport Chamber of Commerce. This is not a rebranded version of a prior program. It has a new mission, a new location, new pricing, and a broader, more inclusive vision. Any comparison to the previous Arts & Culture Shanty Program misses the fact that this is a fundamentally different offering, designed to serve not only artists, but also students, nonprofits, small businesses, and community-makers of all types.

The application timeline reflected the reality of building something from scratch. Legal, logistical, and strategic considerations—including insurance, permitting, and partnership development—take time. Rushing the rollout would have compromised the quality and stability of the program. Our goal was not just to fill vendor space, but to build a foundation for something sustainable and meaningful for years to come.

Regarding the transition period last fall, the Chamber stepped up when the previous program’s future was uncertain. We worked with the City to secure permits, absorbed insurance liability, and opened access to the remaining vendors free of charge. This was not a takeover. It was a lifeline. While many artists advocated for the program’s continuation—and their voices were important—the Chamber provided the operational backbone that made that continuation possible. To suggest that the Chamber’s support amounted to abandonment disregards the time, cost, and responsibility we assumed to keep the opportunity alive.

We’ve also seen criticism about lighting delays, lack of holiday decorations, and reduced marketing during the winter extension. That extension was never marketed as a fully programmed holiday season. It was a transitional offering, shared in good faith, at no cost to the vendors. While we understand that expectations may have been higher, it’s important to recognize what was provided: a platform to vend, during a time when the program could have disappeared entirely.

Some have pointed to changes in layout and setup as points of frustration. Event logistics often involve difficult decisions. The spacing adjustments and tent placement in question were made to accommodate a large-scale downtown event meant to drive traffic and energy into the downtown altogether. While not every setup was ideal, the decisions were made with broader public benefit in mind—and always within the bounds of safety and fairness.

Concerns have also been raised about the reduction from five cottages to three. This was intentional. We are starting small to ensure the quality of experience, proper oversight, and a manageable scope as we refine and grow. We will continue to assess demand and community response, but our focus is on long-term success—not a short-term numbers game. Similarly, we’ve seen complaints about the move away from the waterfront location. The decision to relocate was made after a careful review of the city’s plans for Waterfront Park Phase III. Rather than risk being displaced mid-season, we proactively created a new home—one we can grow into and improve over time. The partnership with the Unitarian Church on Pleasant Street offers historic significance, pedestrian traffic, and long-term security.

There’s also been pushback about expanding the program beyond artists. We reject the notion that inclusion dilutes value. If anything, it strengthens it. The creative economy includes more than just traditional visual artists. Makers, students, nonprofits, and entrepreneurs all bring color, creativity, and energy to the downtown community. This evolution doesn’t exclude artists—it welcomes more voices to the table.

Lastly, there has been criticism of the pricing model. The claim that the program is now unaffordable doesn’t stand up to comparison. Previously, vendors paid over $60 per weekend—or roughly $240/month—for limited access and premiums during downtown events. The new model offers a full month of vending, 7 days a week, in a visible downtown space, for $500/month. For those who want a real opportunity to test their concept in a retail environment, the value is clear. It’s an equitable and competitive rate for what is being offered.

We welcome dialogue, and we hear the emotion behind the feedback. But we stand firmly behind the work we’ve done to create something lasting and impactful. Commerce Cottages are a new chapter—designed not to recreate the past, but to build the future. We are focused on positivity only and anyone with hate in their hearts can go elsewhere. 

Nate Allard
President, Newburyport Chamber of Commerce

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Comments

7 responses to “The New Commerce Cottages are More Inclusive Successors to the Artist Shanties”

  1. Susan Dodge Avatar
    Susan Dodge

    I hear a lot of excuses in this article. Why not fully commit and support the Artists Shanties; at the same time initiate the commerce program. It has merit but not at the expense of the shanties.
    This article make the Chamber sound weak. It needs to be vibrant and strong and fully committed to offering NBPT’s many assets.

  2. It only took you a couple sentences to outright lie

    “Built them from the ground up’.

    Do you really think you can outright lie like this and expect to get away with it? Bad enough you lied straight to artist faces throughout the transition process last year

    You didn’t build the shanties Nate. They were built with Grant money for an exclusive art program by the Essex County Creative Initiative Foundation.

    The existing program was very successful due to its INCLUSIVITY of veteran artist, new artist, students, small businesses, and creatives. We even had a fall education program that we were getting off the ground, PLUS, WE HAD A KIDS SHOW THAT WAS SCHEDULED FOR THE HOLIDAYS SPONSORED BY THE ARTS COLLABORATIVE THAT HAD TO BE CANCELLED BECAUSE OF YOU!

    The whole program and inclusion into the Waterfront Courtyard was a perfect setting not only for the benefit of the artist program, Firehouse Center of Arts, but the city itself to reconnect with its arts and cultural foundation in which it’s supposed to be

    If you wanted to build and rebrand your own program, you should have built your own, instead of highjacking a successful artist program for which it was originally funded for. It would have been one thing if the program continued to falter at the mis direction and mismanagement of the Firehouse Center of Arts. Fact was, it was the artist run steering committee that had made it successful at the perfect spot, as testified by many artist in the shanty FB page, in which you obviously have not read, nor listened to.

    It was the wish of the Firehouse to disengage due to their financial screw up in not collecting rents after their Director left in August. The only element that the steering committee wasn’t responsible for. We voiced our support for the continuation of the program on what you originally told us, AS Agreed UPON, DURING TRANSITION, as testified at city council, which was not what you did.

    You backstabbed, underperformed, and abandoned the existing program, and hung us out to dry during Christmas. You couldn’t even let us continue to close out the year with a fully booked venue, and fulfill our plans, arrangements, and agreement with City Council, and present our proposal that INCLUDED the shanty program into the Phase 3 Waterfront development, which, as testified at the License and Permits meeting on October 23, 2024.

    Only to receive an email from you, cc’d with your Board Members, cutting off any further collaboration, leaving many to wonder what this is REALLY all about.

    Nobody has any hate in their hearts, other than love and passion of the arts and disdain for those that use their corporate and commercial power to derail local independent artist FOR WHICH THIS PROGRAM WAS CREATED FOR BY THE ESSEX COUNTY CREATIVE INITIATIVE IN THE FIRST PLACE.

    We’ll see how THEY feel about all of this once the whole story is told when a second official complaint is filed.

    It’s not about being disruptive or hateful, but fair and TRULY all inclusive. You are preaching inclusivity by ripping off the artist in which the program had been built for, even worse using corporate and commercial bully tactics to do it.

    What you did was abominable. How you did it was even worse.

    Go build your own program from scratch and give the artist back what is rightfully theirs.

    You lied, misled, and highjacked a successful program with the help of their Board members which is an apparent CONFLICT OF INTEREST to their obligations as community supporters. Especially developers of an arts and cultural program in which they had applied and received funding for.

    Your Hypocrisy is on full display

    Perhaps the Chamber hasn’t heard what many people have said on the original Shanty Arts and Culture FB page.

    https://www.facebook.com/share/12KM5Q1N5c1/

    Or maybe they forgot what the 20 artist submitted in writing to City Council last fall in support of the existing program has to say?

    Or maybe you have forgotten who submitted a letter of support completing the Firehouse application process for the Shanty Grant, by request of the City Grant Writer in 2017?

    It’s not anyone else’s business what the Chamber does with its programs, however, when it comes at the expense of bullying people and highjacking their blood, sweat, and tears after many years of hard work, watch it become successful, then have it all yanked out from under them, it becomes a whole other story.

    The irony is,….it had all come together as one happy village where it was last year, wasn’t it. ‘It takes a village’, isn’t that what was said, and agreed upon? Wasn’t that the goal for the courtyard and the perfect setting for a arts and cultural program, incorporated into an information center and gateway to the newly developed waterfront park?

    Many saw it that way, (including a member of city council, on record) wrote about it, ……and continue to.

    The Chamber even said so yourself, didn’t you Nate, before the opportunity arise for you to steal it for yourselves and then claim you ‘built it from the ground up’.

    You didn’t build anything.
    You tore down an existing successful program in which many will testify to.

  3. Gail Duell Avatar
    Gail Duell

    It is shameful to see such hard work and dedication from the artist and community shut down only to try and reinvent it as your own. Whomever is responsible for this needs to bring it back to it’s previous and full intent.

  4. TAMMY Avatar

    Once again, a ridiculous political take over, nothing more , nothing less, and shame on you for the dismissal of the actual person , and real historian artist here John, bring back the artist shanties to the rightful place and owners and leave your ” Commerce Cottages ” to pass. We stand firm on what we the people want here in the Port and beyond… The jig is up.

  5. Sad Day!
    Don’t fix what’s not broken, I’m not a mind-reader but i believe I can see after being a small part of the Shanty experience and engaging human collection of like minded.
    Shameful

  6. Sharna LeCureux Avatar
    Sharna LeCureux

    These sound like a bunch of BS excuses for taking over something that had wonderful intentions by people who saw nothing but the $$$$ signs in front of their eyes! Why did I see John Brown, the original founder of the Shanties, powerful and truthful article here?! I read it once, shared it, and now it’s gone. He has a voice that deserves to be heard because THIS BS is happening ALL over the country! I’ll try and share his post.
    https://spiritofnewburyport.wordpress.com/2025/05/21/public-statement-regarding-shantyville/?fbclid=IwY2xjawKddZ1leHRuA2FlbQIxMQABHiZrysYtrB9v8SGedpb_T5fYS2tDciV6mDY_pVGz_4NW3v8tVwtRYg3Ztu6O_aem_V-D8siGgWl3JBbNl03bhXg

  7. Sharna LeCureux Avatar
    Sharna LeCureux

    Here’s that powerful, truthful and heartfelt article written by John Brown, the original founder of the Shanties

    https://spiritofnewburyport.wordpress.com/

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